Ok, so every year everyone calls and emails me about this time and asks: What should I take my kid to see? So to save you time, I present the Holiday Performance Round Up for the Chicago Area.
The first thing you have to figure out is WHY are you going to see something. As a mom who favors EXPERIENCES over OBJECTS, I think going to see shows and movies during the holidays is more calorie conscious than my usual eating myself silly at some party, and its more ecological than driving around and then waiting in horrible crowds and lines to buy stuff I really don’t need and will neverget put away. So I go to a show as a way of being festive and green, and having fun with my kids. But don’t go see the Nutcracker because you feel like you HAVE to. Going to a show should be a transformational event, a memory, a gift, so you have to pick the right ones and pace yourself carefully.
Here in Chicago we are blessed with the cream of the crop of tip top professional productions: the Joffrey Ballet’s Nutcracker which is as good as NYCB (sorry George) and is in the Auditorium Theater, a space that is more magical than any venue in the United States. But if your child cannot sit through 2 plus hours of formal ballet, don’t spend the money yet. Ditto on the Goodman Theater version of A Christmas Carol. If you have older kids who can appreciate great acting talent and Broadway quality production values,crack open the piggy bank and forego something else and go. If you have kids that bounce on seats (and kick the one in front of them) and don’t know the difference between a movie and a live show, wait another year at least.
There are plenty of community theater versions of Nutcracker and Christmas Carol to go to at a theater near you. Look for abridged versions. And it’s best to go to the one that is most convenient---great if you know someone in the cast, or that’s not too expensive so if your kid spikes a fever two hours before the curtain you don’t want to murder them, and you can gift the tickets to some last minute mom in need of a break without resenting the recipient too much…. There are even interactive play along versions of holiday classics now---my daughter created Evanston’s Dance It Yourself Nutcracker and there is a fun one at the Cultural Center on Washington and Michigan Avenue. And of course, this year, we have a new MOVIE version of A Christmas Carol!!! And speaking of movies—our family has always had a holiday tradition of cuddling up with a nice warm bucket of popcorn and enjoying all types of cinema. Can’t recommend It’s a Wonderful Life enough--- after 20 years I still cry. And you really can watch A Christmas Story every year. There is something reassuring and comforting about watching the same stories over and over. I still read Patricia Polacco’s The Tree of the Dancing Goats, and The Hanukkah Guest from Eric Kimmel (whose Hanukkah Goblins are also staples at our house), and now Lemony Snicket’s Latke That Couldn’t Stop Screaming every darn year to my kids who are way too old for bedtime stories….So drag Elf and A Charlie Brown Christmas out (or get it in Blu Ray, or OMG dig out the VCR you kept for history) and gather round. My kids still call it the Abdominal Snowman who scares the misfit Toys on that retro 70’s animation of Rudolph. We know all the lines, all the songs, and we LOVE that. This year's holiday releases do not suck. We are looking forward to Wes Anderson adapting Roald Dahl!
But back to the live performances—and non denominational ones. Head off the beaten path and over to Victory Gardens for The Snow Queen. For some reason Blair Thomas’ puppets and the score have captured my kids’ imagination and it’s a new holiday tradition, complete with playing the CD to fall asleep. And then there is the Redmoon Winter Pageant, my personal holiday tradition. They always surprise me with some visual feast—I leave sated, and completely unable to explain what I just saw with words.
If you are going to bundle up and schlep somewhere, make it a true holiday highlight. Create some tradition that goes with the show—cocoa afterwards, or driving by the windows on State Street on the way home, or maybe you have a cookie hidden in your purse. Some folks like dressing up—I have kids who HATE anything itchy so we let you wear pajamas to a show (under your coat) if you want. Nice pajamas of course. Ladies, if you want to wear a tutu or tiara--do it.
Do whatever it takes to make being together special, warm and memorable.
Monday, November 23, 2009
Monday, October 12, 2009
Mama's Movie Night takes on the Grandma of em all
When times are hard, the arts tend to get all retrospective, and nostalgia is this season’s trend. Film companies appear to be heading for the vault and reissuing anniversary editions of iconic classics. Weekend before last, we celebrated the 70th anniversary of Dorothy and Toto.
Then the folks at Disney sent an army of us bloggers the Diamond Edition of Snow White to examine, just in time for the October 6th rollout. I’m pretty careful about my freebies, preferring to pick my way through popular culture on my own, but as a media educator, the chance to write about the very first full length animated feature ever made was too great for my film buff household to pass up.
The eagerly awaited DVD/Blu Ray boxed set arrived, and we ceremoniously gathered round for what in our house is known as Mama’s Movie Night. Last week I had my long suffering students, I mean children, sit through Alexander the Great with Richard Burton. Next week we will be looking at Garbo. But this week we harkened back to their grandparents’ day, and it’s Snow White on a cold Saturday night. We watched the DVD version, since our friends who have a Blu Ray had a previous engagement. We have not invested in the newest technology---we still watch old VHS versions of many films, and times are hard in our house---which in a way makes us pretty similar to some of the folks watching Snow White when it first came out.
I don’t mean to be picky, but when I told my kids we were getting the Diamond Edition, my daughter expected a really nice box. And I agree---if you are peddling an artwork as groundbreaking as Snow White, it should probably get something with a little more preciousness than the usual plastic portfolio tucked into the stand by the grocery checkout. I wish the presentation of the discs had carried a sense of the jewel sitting on the shelf. But I can see from the Disney website we got the low end addition. LOL. Maybe I will make a pretty jewel encrusted case for my daughter, who is now inspired to do a vintage Disney birthday party....
It is so hard to convey to a media saturated child of the 21st century what a ground breaker this movie was. Back then, stories were heard, not seen. Masses huddled in the dark and folks must have been awed and moved by this lusciously colored version of a childhood tale. I could not give my children the eyes of children from the 1930’s—I had their highly sophisticated eyes accustomed to hundreds of visual images a day. But I wanted to know how this work would measure up to its filmic offspring: Pixar and Studio Ghibli.
The old girl held her own.
My youngest liked the old fashioned simplicity of the images and got really into the backgrounds. My tween boy was most taken with the dwarves—the rest he maintained was a “Girl Story”. We are all still wondering how they did the water in front of the dwarves house. Both kids noted that the DVD was “clearer” than our old VHS version. I can’t wait to impose on our friends and see the Blu Ray now.
And then my kids drifted off to dreamland and I stayed up to the wee hours picking through the bonus features. The most fun was the audio commentary they pieced together with ol’ Walt himself, and you get to hear the arduous struggle of trying to invent the technology as they went along.
When you look at the previews (which I usually hate), its an eye opening to get such a graphic, side by side look at how far Disney animation has come. And we absolutely adored the sneak peak of the upcoming feature The Princess and the Frog. Disney, who ordinarily never shows its back side or inner workings, shows six minutes including sketches and chunks that are not yet colored. One can see the process of creating the finished product. We LOVE that, and now can’t wait to see it. So if the main purpose of the release was to drive traffic to other Disney properties, it has accomplished its mission.
But in the end, here’s the takeaway for families that are not studying film: Snow can still provide you with a nice night of family entertainment. We got to talk about what entertainment was like back when my children’s grandparents were young, and we got to see where all those songs came from and we sang along. I caught my self hi ho-ing off to work this morning! My children have heard many of the Grimms tales, so the scary and unPC bits of the actual tale did not pull them up short---and they are clear that this was a story From the Olden Days. So if you are looking for an updated snazzy trip down nostalgia lane, you could do worse than the animated feature that started it all (and the reason why studios thought the Wizard of Oz was a bankable project).
And if you are not into nostalgia, the Chicago International Children’s Film Festival opens in about a week and a half, and you could see where film will be going next! We are all lined up for the new Wallace and Grommit…..
Then the folks at Disney sent an army of us bloggers the Diamond Edition of Snow White to examine, just in time for the October 6th rollout. I’m pretty careful about my freebies, preferring to pick my way through popular culture on my own, but as a media educator, the chance to write about the very first full length animated feature ever made was too great for my film buff household to pass up.
The eagerly awaited DVD/Blu Ray boxed set arrived, and we ceremoniously gathered round for what in our house is known as Mama’s Movie Night. Last week I had my long suffering students, I mean children, sit through Alexander the Great with Richard Burton. Next week we will be looking at Garbo. But this week we harkened back to their grandparents’ day, and it’s Snow White on a cold Saturday night. We watched the DVD version, since our friends who have a Blu Ray had a previous engagement. We have not invested in the newest technology---we still watch old VHS versions of many films, and times are hard in our house---which in a way makes us pretty similar to some of the folks watching Snow White when it first came out.
I don’t mean to be picky, but when I told my kids we were getting the Diamond Edition, my daughter expected a really nice box. And I agree---if you are peddling an artwork as groundbreaking as Snow White, it should probably get something with a little more preciousness than the usual plastic portfolio tucked into the stand by the grocery checkout. I wish the presentation of the discs had carried a sense of the jewel sitting on the shelf. But I can see from the Disney website we got the low end addition. LOL. Maybe I will make a pretty jewel encrusted case for my daughter, who is now inspired to do a vintage Disney birthday party....
It is so hard to convey to a media saturated child of the 21st century what a ground breaker this movie was. Back then, stories were heard, not seen. Masses huddled in the dark and folks must have been awed and moved by this lusciously colored version of a childhood tale. I could not give my children the eyes of children from the 1930’s—I had their highly sophisticated eyes accustomed to hundreds of visual images a day. But I wanted to know how this work would measure up to its filmic offspring: Pixar and Studio Ghibli.
The old girl held her own.
My youngest liked the old fashioned simplicity of the images and got really into the backgrounds. My tween boy was most taken with the dwarves—the rest he maintained was a “Girl Story”. We are all still wondering how they did the water in front of the dwarves house. Both kids noted that the DVD was “clearer” than our old VHS version. I can’t wait to impose on our friends and see the Blu Ray now.
And then my kids drifted off to dreamland and I stayed up to the wee hours picking through the bonus features. The most fun was the audio commentary they pieced together with ol’ Walt himself, and you get to hear the arduous struggle of trying to invent the technology as they went along.
When you look at the previews (which I usually hate), its an eye opening to get such a graphic, side by side look at how far Disney animation has come. And we absolutely adored the sneak peak of the upcoming feature The Princess and the Frog. Disney, who ordinarily never shows its back side or inner workings, shows six minutes including sketches and chunks that are not yet colored. One can see the process of creating the finished product. We LOVE that, and now can’t wait to see it. So if the main purpose of the release was to drive traffic to other Disney properties, it has accomplished its mission.
But in the end, here’s the takeaway for families that are not studying film: Snow can still provide you with a nice night of family entertainment. We got to talk about what entertainment was like back when my children’s grandparents were young, and we got to see where all those songs came from and we sang along. I caught my self hi ho-ing off to work this morning! My children have heard many of the Grimms tales, so the scary and unPC bits of the actual tale did not pull them up short---and they are clear that this was a story From the Olden Days. So if you are looking for an updated snazzy trip down nostalgia lane, you could do worse than the animated feature that started it all (and the reason why studios thought the Wizard of Oz was a bankable project).
And if you are not into nostalgia, the Chicago International Children’s Film Festival opens in about a week and a half, and you could see where film will be going next! We are all lined up for the new Wallace and Grommit…..
Tuesday, October 6, 2009
Opera and the DSM
I have been spending WAY too much time with therapists of late. I know because I sat through the tragedy of Faust and kept seeing mental illness instead of characters! The soldiers all clearly had PTSD and Marguerite had one nasty case of post partem depression. Execution seems a bad way to treat a new mom who has clearly lost her marbles, so we have progressed a bit as a civilization since this tale was inked.
I started to think of all my favorite operas and I realized that if we had better psychiatric care in the last few centuries, we wouldn't have any decent plots! If SSRI's had been invented before booze, where would the human race and classic tales be then, I ask you? Prozac nations don't do awful things to their families and lovers, and where's the drama in that?
But maybe that's an important point--we all struggle through our human condition as generations have in ages past. The passions, the pain, ultimately death--which is often untimely, are common to all--although most of us can't sing our way out in an unwavering aria.
Sometimes, especially when its been a hard week, I find a trip to the opera is so cathartic. It's an escape, yes, where I can lose myself in the sumptuous staging or the unlikely fantasy of throwing oneself off a rampart after a little music that rocks me to the core (can't wait for Tosca, can I?), but it also is cleansing in a way that deep true emotion is. Truth become the underlying vibration, an aura in the air. Someone always loves something too much at the opera--whether its Faust who loves youth, or Mephistopheles (my daughter and I disagree---I totally would have signed a deal with that guy, she thought he was creepy) who loves to capture another soul in his stable. And Siebel who loves Marguerite. Haven't we all loved something too much and badly. Regrets and wasted lives are much more palatable and nuanced at the opera than on the front page. Fenger High School needs a Gounod to steep us in that tragic tale.
And I await the operas that tell stories where women are not the pawns of men. But that will have to be a new generation of tale tellers. Get to work folks, I NEED you. I just can't wait for the rest of the Lyric Season, where I can escape the parking debacle and the state budget woes and immerse myself in times that were REALLY hard.
I know I have heard grumblings about all the old chestnuts pulled out for the season from some other opera fans, but times are hard and we need to revisit the old beloved tales, and we need opera to be here in 5 and 10 years so I appreciate that the scions of culture have belt tightened a wee bit to keep on keeping on.
See you at the Civic.
I started to think of all my favorite operas and I realized that if we had better psychiatric care in the last few centuries, we wouldn't have any decent plots! If SSRI's had been invented before booze, where would the human race and classic tales be then, I ask you? Prozac nations don't do awful things to their families and lovers, and where's the drama in that?
But maybe that's an important point--we all struggle through our human condition as generations have in ages past. The passions, the pain, ultimately death--which is often untimely, are common to all--although most of us can't sing our way out in an unwavering aria.
Sometimes, especially when its been a hard week, I find a trip to the opera is so cathartic. It's an escape, yes, where I can lose myself in the sumptuous staging or the unlikely fantasy of throwing oneself off a rampart after a little music that rocks me to the core (can't wait for Tosca, can I?), but it also is cleansing in a way that deep true emotion is. Truth become the underlying vibration, an aura in the air. Someone always loves something too much at the opera--whether its Faust who loves youth, or Mephistopheles (my daughter and I disagree---I totally would have signed a deal with that guy, she thought he was creepy) who loves to capture another soul in his stable. And Siebel who loves Marguerite. Haven't we all loved something too much and badly. Regrets and wasted lives are much more palatable and nuanced at the opera than on the front page. Fenger High School needs a Gounod to steep us in that tragic tale.
And I await the operas that tell stories where women are not the pawns of men. But that will have to be a new generation of tale tellers. Get to work folks, I NEED you. I just can't wait for the rest of the Lyric Season, where I can escape the parking debacle and the state budget woes and immerse myself in times that were REALLY hard.
I know I have heard grumblings about all the old chestnuts pulled out for the season from some other opera fans, but times are hard and we need to revisit the old beloved tales, and we need opera to be here in 5 and 10 years so I appreciate that the scions of culture have belt tightened a wee bit to keep on keeping on.
See you at the Civic.
Transcience, transitions
In ancient times, this was a scary time of year, as the sun died. Today in the parking lot, a woman died. You stop still, and take stock.
This morning,on the radio, Jude Law was talking about playing Hamlet and how the character could have been a great king, but life beat him down. I could relate--I have been taking that beating of late. It can twist you and snuff out the flame of dreams and inspiration. Course, I have not resorted to murder just yet.KIDDING.
But then I got a call to talk about dancing the repertoire of Isadora Duncan as part of a talkback after When She Danced at the TimeLine Theater--a play about Duncan towards the end of her life. My inner artist awakens.
And so I share what I wrote after a lecture at the Goethe Institute by a fascinating artist named Raimond Hogue--he served as Dramaturg to Pina Bausch. And for those of you who want to know, YES I missed the Merce show last weekend AND the the Links Hall 30th---the laundry needed doing, there was no food in the house, and someone in our collective lives has to make sure the home is made or we will all be Home Less......
Tribute to Pina and Merce.
Is that all there is?
If that's all there is, my friends, then let's keep dancing
Let's break out the booze and have a ball
If that's all there is…..Peggy Lee
I am supposed to be at this very minute writing up bill payment forms and a grid for next summer’s space useage at my very bureaucratic arts admin day job.
I am supposed to be at this very minute running three children around to various activities so that I can be a good mother and they can grow up to be exceptionally wonderful.
I am supposed to be at this very minute productive and cheerful and at the height of my powers.
And I am at this very minute, here and now,
Standing Still.
Because Life is passing me by.
I was so promising and talented and then the kids and the mortgage and the ever changing and often crappy health benefits and the leaky roofs and the furloughs and the downsizing and the disappearing pension act and cancer and auto immune thingys and you know it never quite comes out the way you planned
But I still have dreams.
See I saw Pina and Merce and Alwin and Martha and Hanya, and I breathed the same air as they did. We lived at the same Time.
I learned the dances of Isadora from someone who learned from someone who learned from her,
And I know
You do not stop dancing because you grow old. You grow old because you stop dancing.
And as that hoofer Patrick Swayze said in Ghost: You take all the love with you when you go.
You take all the dances.
And if you are lucky,
Others keep dancing them.
Because all there is IS the kids and the aging parents and digging out the car in February and the school permission slip that the cat threw up the hairballs on.
And this only moment
and I AM dancing.
Still
Is that all there is?
If that's all there is, my friends, then let's keep dancing
Let's break out the booze and have a ball
If that's all there is…..
My daddy dropped dead of a heart attack on his lunch hour at the age of 36. It's made me more cognizant than most that we are here such a short time. We never know when it will be our time. Be. Here. Now. Love. Live.
Dance.
There is nothing more you can do.
This morning,on the radio, Jude Law was talking about playing Hamlet and how the character could have been a great king, but life beat him down. I could relate--I have been taking that beating of late. It can twist you and snuff out the flame of dreams and inspiration. Course, I have not resorted to murder just yet.KIDDING.
But then I got a call to talk about dancing the repertoire of Isadora Duncan as part of a talkback after When She Danced at the TimeLine Theater--a play about Duncan towards the end of her life. My inner artist awakens.
And so I share what I wrote after a lecture at the Goethe Institute by a fascinating artist named Raimond Hogue--he served as Dramaturg to Pina Bausch. And for those of you who want to know, YES I missed the Merce show last weekend AND the the Links Hall 30th---the laundry needed doing, there was no food in the house, and someone in our collective lives has to make sure the home is made or we will all be Home Less......
Tribute to Pina and Merce.
Is that all there is?
If that's all there is, my friends, then let's keep dancing
Let's break out the booze and have a ball
If that's all there is…..Peggy Lee
I am supposed to be at this very minute writing up bill payment forms and a grid for next summer’s space useage at my very bureaucratic arts admin day job.
I am supposed to be at this very minute running three children around to various activities so that I can be a good mother and they can grow up to be exceptionally wonderful.
I am supposed to be at this very minute productive and cheerful and at the height of my powers.
And I am at this very minute, here and now,
Standing Still.
Because Life is passing me by.
I was so promising and talented and then the kids and the mortgage and the ever changing and often crappy health benefits and the leaky roofs and the furloughs and the downsizing and the disappearing pension act and cancer and auto immune thingys and you know it never quite comes out the way you planned
But I still have dreams.
See I saw Pina and Merce and Alwin and Martha and Hanya, and I breathed the same air as they did. We lived at the same Time.
I learned the dances of Isadora from someone who learned from someone who learned from her,
And I know
You do not stop dancing because you grow old. You grow old because you stop dancing.
And as that hoofer Patrick Swayze said in Ghost: You take all the love with you when you go.
You take all the dances.
And if you are lucky,
Others keep dancing them.
Because all there is IS the kids and the aging parents and digging out the car in February and the school permission slip that the cat threw up the hairballs on.
And this only moment
and I AM dancing.
Still
Is that all there is?
If that's all there is, my friends, then let's keep dancing
Let's break out the booze and have a ball
If that's all there is…..
My daddy dropped dead of a heart attack on his lunch hour at the age of 36. It's made me more cognizant than most that we are here such a short time. We never know when it will be our time. Be. Here. Now. Love. Live.
Dance.
There is nothing more you can do.
Friday, September 18, 2009
Back to School blues
We are SO back to school. I’ve gone from leisurely coffee by myself in the morning to being shot out of a cannon into a civil war each day. At our house, Back to School is one of those Through the Wormhole experiences where summer sun kissed children must get beamed up Scotty and reconstituted as school children who must be assessed and tested and must fit precisely into the labeled and classified system. We are not doing so good with it this year. Some of my children may have become Aliens.
Far away in another galaxy, my children went to a progressive private school. They LOVED school and couldn’t wait to get there every morning. They bemoaned weekends and holidays. They may have been slow to get out of bed, but they were Fired Up and Ready to Go. But we live on Earth now, and my youngest is drawing hearts and flowers on the calendar where there are days off. She is counting down to the first day she does NOT have to go to school. We’ve already had the first “Mom, I’m too sick to go to school” day---its so early for the psychosomatic tummy aches and head aches that are a household specialty. And my almost teenaged son was blasting Pink Floyd’s The Wall one night:
We don't need no education
We dont need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone
Hey! Teachers! Leave them kids alone!
All in all it's just another brick in the wall.
All in all you're just another brick in the wall.
Now I would hate to deprive my children of the universal youth experience of Hating School. And I am completely certain that whatever job they end up getting will require them to take standardized tests monthly to determine what species they are and what their benefits and compensation package should be---in fact, I plan on putting their ISAT scores on their resumes---oh wait, the school does not just give those to you, I forgot. You have to hunt them down and capture those little meaningful numbers.
In its infinite wisdom, our school district has already started the standardized testing, a mere three weeks into the year. My kids have not even figured out the names of all their classmates and teachers yet, and this is a district that lost our preregistration forms turned in last July TWICE. Not sure I trust them with the data.
We sat over a fire last weekend looking up at the stars. I looked at my children in the glow and wondered what each of them will become. I realized that probability is high that one or more will have a career that does not exist yet. Five years ago, who could be a professional blogger? Or a social media consultant?
I am not sure that testing them like lab frogs will help anyone’s kids fill the positions we are going to invent. Most of the innovators whose biographies I have studied did not do so well in the normal schools of their time. Frank Lloyd Wright and Margaret Mead were homeschooled.
Maybe a small piece of me hopes, in this back to school season, that my kids don’t fit easily into the cookie cutters created so neatly for them. You know the Below Standards, Meets Standards, Exceeds Standards slots. Because I don’t think the MAP tests can assess the wonder of looking at the moon or the innovation of talking about the resort you would build there. They aren’t looking at my standards which measure the fascination with a song and the tenacity to keep working until you find the melody and then the harmony on the keyboard. I do know that right now, the things that light my kids up and capture their hearts, minds and souls are not the things they are finding in school. Their love of opera, fascination with films, empathy for living things, understanding cooking and sewing and their places in human culture—they have found those things on my time. I know that a parent is supposed to be a teacher, but I am sad that they don’t like the time they are spending with formal education.
I reconcile myself to the fact that this is the gig though, and start plotting our adventures for another weekend. I just hope the school system does not do too much damage to their love of learning.
Far away in another galaxy, my children went to a progressive private school. They LOVED school and couldn’t wait to get there every morning. They bemoaned weekends and holidays. They may have been slow to get out of bed, but they were Fired Up and Ready to Go. But we live on Earth now, and my youngest is drawing hearts and flowers on the calendar where there are days off. She is counting down to the first day she does NOT have to go to school. We’ve already had the first “Mom, I’m too sick to go to school” day---its so early for the psychosomatic tummy aches and head aches that are a household specialty. And my almost teenaged son was blasting Pink Floyd’s The Wall one night:
We don't need no education
We dont need no thought control
No dark sarcasm in the classroom
Teachers leave them kids alone
Hey! Teachers! Leave them kids alone!
All in all it's just another brick in the wall.
All in all you're just another brick in the wall.
Now I would hate to deprive my children of the universal youth experience of Hating School. And I am completely certain that whatever job they end up getting will require them to take standardized tests monthly to determine what species they are and what their benefits and compensation package should be---in fact, I plan on putting their ISAT scores on their resumes---oh wait, the school does not just give those to you, I forgot. You have to hunt them down and capture those little meaningful numbers.
In its infinite wisdom, our school district has already started the standardized testing, a mere three weeks into the year. My kids have not even figured out the names of all their classmates and teachers yet, and this is a district that lost our preregistration forms turned in last July TWICE. Not sure I trust them with the data.
We sat over a fire last weekend looking up at the stars. I looked at my children in the glow and wondered what each of them will become. I realized that probability is high that one or more will have a career that does not exist yet. Five years ago, who could be a professional blogger? Or a social media consultant?
I am not sure that testing them like lab frogs will help anyone’s kids fill the positions we are going to invent. Most of the innovators whose biographies I have studied did not do so well in the normal schools of their time. Frank Lloyd Wright and Margaret Mead were homeschooled.
Maybe a small piece of me hopes, in this back to school season, that my kids don’t fit easily into the cookie cutters created so neatly for them. You know the Below Standards, Meets Standards, Exceeds Standards slots. Because I don’t think the MAP tests can assess the wonder of looking at the moon or the innovation of talking about the resort you would build there. They aren’t looking at my standards which measure the fascination with a song and the tenacity to keep working until you find the melody and then the harmony on the keyboard. I do know that right now, the things that light my kids up and capture their hearts, minds and souls are not the things they are finding in school. Their love of opera, fascination with films, empathy for living things, understanding cooking and sewing and their places in human culture—they have found those things on my time. I know that a parent is supposed to be a teacher, but I am sad that they don’t like the time they are spending with formal education.
I reconcile myself to the fact that this is the gig though, and start plotting our adventures for another weekend. I just hope the school system does not do too much damage to their love of learning.
Wednesday, September 2, 2009
welcome to the island of America

One of the few news stories that got through to us on our recent backwoods vacation was the detention of a Bollywood superstar at a Newark airport most likely because some typist can’t spell.
Shah Ruhk Khan’s recent experience with our official US welcome committee sent shock waves through our house. We are film freaks and Bollywood is on our passion list---last year we watched Om Shanti Om instead of the Oscars. If you are not a big follower of the genre, let me put it this way: How would you react if the Beatles were on a suspected terrorist list because of a typo? Can you imagine Brad and Angelina and their multinational brood questioned for 66 minutes at an airport? For a huge chunk of the world outside our myopic borders, Mr. Khan is bigger than Elvis. And I think he’s a better dancer, but we could argue on that.
It’s a little bit wonky, but if you managed to read through Richard Florida’s work, you will get his point that economic prosperity flows where diversity and creativity thrives, and as Mr. Khan’s experience showcases, this country has been in a creative lockdown for years. We don’t track the flight of artists, but I know film production is fleeing our borders with frightening speed, and with it go the really good jobs that kept me and my colleagues afloat. When you are making movies, you go wherever the box office gold WANTS to go. And there’s the struggling music industry: more than one music festival has had to substitute a headliner last minute because a major, well-known artist has trouble getting a visa. I think it’s really sad and bad for long term economic recovery that it’s nearly impossible for interesting creative folks to get here without jumping through innumerable hoops. I mean I know Art is a Hammer with which to change reality, but famous folk are easy to keep an eye on.
My kids are growing up in a global economy and culture—they have Facebook friends and email pen pals on multiple continents. I am frustrated that the education system only requires them to master a single language--even developing nations require at least 2. The planet is shrinking---but the only way to really be global is to go there whereever there is and have them whomever we designate as them come here. We need to meet, converse and exchange ideas and art with the world. And we need to understand where everyone is coming from, so the worst thing about the fact that the biggest Bollywood movie star in the known universe was treated as he was, was the fact that the folks detaining him had no real idea of who he was. His face is instantly recognizable to at least twice as many folks as the US population. We cannot build our security if we isolate our selves and teach our children a single language: our own. Talking to ourselves about ourselves is not relevant or helpful. We cannot be safe in a world if we don’t know who our neighbors are.
Tuesday, August 4, 2009
Horse Camp 09
Just got back from the land of a thousand mosquito bites. Year 11 of our equine tradition, and what a year of change! The original members of our band have mostly moved on to college, high school, jobs and opera gigs (though my eldest made it back for 2 lessons and a stunning fall from a horse after a jump!!!!!) We completely changed the format which FREAKED out my habit bound kids. We kicked off the week with a visit to Pierogi fest in Whiting Indiana (surrealistic Kitch in a land that time is leaving alone in the shadow of steel mills refineries and casinos) then on to Michigan where we took LESSONS instead of the same old camp hang out for hours around horses and get dirty format, and we were at new stable where everything happens outside. Good thing we had the new 80 sunscreen. We tried WESTERN saddle. We tried JUMPING oh my god. And I got to spend a week with TWEENS. Next year, I need to get some little ones back in the mix because the social jockeying and nascent hormone thing got to be a bit much.
The menu was just plain weird---with vegetarians and foodies and celiacs as the predominant eaters, we did Indian food and falafel and pesto. Not a chicken nugget to be found. We watched classic films, not movies. We went to a French Market. My kids may never recover. After a decade of doing the exact same thing, all this new stuff was truly shocking.
My favorite new thing was Christmas in July at the South Bend Silverhawks baseball game. Note the adorable Jewish girls flanking Santa in his surfing shorts---this picture was taken right before the skies opened and lightening flashed and we got to enjoy our very first RAINED OUT game!!!
I also got to enjoy a new thing: NO DOGS for three days. Ah, peace! I could have used some adult company and a happy hour, but I had enough caffeine to get me moving and I did get to read 1.5 novels. I made it to the top of Warren Dune without panting. We still picked and ate blueberries, although at a new berry patch, and we still went bumper boating and go carting and bought too much tooth rotting candy at the 5 and dime, which is miraculously still there (many businesses are not)
In the end, it was perfection, though I am waiting for the welts from the poison ivy to show up!
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